GOD IS BOS NO POWER GET BIT GOD

Saturday, October 16, 2010

எனது சிறந்த நண்பன்

நாளை தனுரீசன் நின் பட்டம் ஆளைபு விழ. இந்த விழ புத்ரஜெயா வில் நடைபெறும். தனுரீசன் எனது சிறந்த நண்பன் அவன் மேலும் வெற்றிபேரே நான் கடவுளை வேன்ன்டிகொல்கிறேன்.

தீபாவளி 2010

தீபாவளி எனக்கு மிகவும் பிடிக்கும எல்லோரும் இந்த தீபாவளி வரவைப்போம்

DEEPAVALI COMING

HAPPY DEPAVALI FOR ALL HINDUS .WISH ALL IN GOOD WAYS HOPELY GOD BLESS ALL OF US OM JAI RAM

Saturday, October 2, 2010

King Of Indian Film Rajinikanth

Rajinikanth (Tamil: ரஜினிகாந்த், born Shivaji Rao Gaekwad, शिवाजीराव गायकवाड, on December 12, 1949) is an Indian film actor, producer, and prominent media personality. He is best known for his mass popularity and appeal, largely drawn from his mannerisms and stylized delivery of dialogue in films. He received India's third highest civilian honour, the Padma Bhushan, in 2000 for his contribution to Indian cinema. Other than acting and producing, Rajinikanth also worked as a screenwriter, and playback singer. Apart from his film career, he is a philanthropist, spiritualist, and serves as an influence in the politics of Tamil Nadu.
Rajinikanth made his debut as an actor in
Apoorva Raagangal (1975), a Tamil film directed by K. Balachander, whom the actor considers as his mentor. He was later favoured in Tamil cinema for portraying antagonistic characters and gradually rose to acting in lead roles. Post-1978, he became known as the "superstar" of Tamil cinema and successfully held a matinee idol status among the mass media and popular culture of India. While acting in many Indian languages, he also appeared in films of other nations, including in those of the United States. After being paid a salary of 26 crores for his role in Sivaji (2007), he became the highest paid actor in Asia after Jackie Chan.[1][2]
His most recent work was released on 1 October 2010,
Enthiran directed by S. Shankar.


Rajinikanth was born as Shivaji Rao Gaekwad in a
Marathi-speaking family, mother Jijabai and father Ramoji Rao Gaekwad, on December 12, 1949 in Bangalore, Karnataka, India.[3] He was the youngest among four children and has two elder brothers and a sister. After the death of his mother at the age of 5,[4] he struggled with an impoverished lifestyle during his childhood. During that time, he often did odd jobs as a coolie in his community.[5] He attended the Acharya Patasala for elementary education and had his higher education at the Ramakrishna Mission in Bangalore.
Between 1968 and 1973 he worked in many places in
Chennai, thus moving continuously from Bangalore to Chennai. He performed various jobs before joining the then-Bangalore Transport Service (BTS) as a bus conductor. In 1973, he moved to Chennai to seek a career in acting and joined the Madras Film Institute with the help of his friend, Raj Bahadur, who was his co-worker in the BTS.[6][7]
Film career
Rajinikanth joined the Madras Film Institute in 1973 and completed a basic course in acting. In the film institute he was helped by his vice principal, A. Prabhakaran.[8][9]
As of 2010, Rajinikanth has acted in over 150 films, including
Tamil, Kannada, Telugu, Malayalam, Hindi, English, and Bengali films.[10] After the release of his first Bollywood film, Andha Kanoon, Rajinikanth did not make as much of an impact in the Mumbai-based industry as he had in the south. He still appeared in several Hindi films, such as Chaalbaaz, Uttar Dakshin, Giraftaar and Hum. He appeared in a supporting role in the American film, Bloodstone, co-produced by Ashok Amritraj in 1988, with much fanfare in India at the time of its release.[11] He also made brief stints in the German- and Japanese film industries. His film Muthu was dubbed into Japanese and later turned out to become a major hit in the country, ultimately creating Rajinikanth a huge Japanese fan-following.[12] In 2005, his film Chandramukhi was dubbed in German and released in all German-speaking nations.[13] Despite his first language being Marathi, Rajinikanth has not yet acted in any Marathi films for the reasons known best to him.
Negative roles: 1975-1977
Rajinikanth's first film was in Tamil cinema, where he was initially casted in supporting roles, debuting as a cancer patient in Apoorva Raagangal in 1975. The film was directed by K. Balachander, who is constantly referred to by Rajinikanth as his own "guru" or mentor. The following year, Rajinikanth acted in his first Kannada film, Katha Sangama, directed by Puttanna Kanagal. Though Rajinikanth refers to director K. Balachander as his mentor, it was director S. P. Muthuraman who actually revamped Rajinikanth’s image entirely. Muthuraman first experimented with him in a positive role in Bhuvana Oru Kelvikkuri (1977), as a villain in the first half of the film and a protagonist in the second.
Breakthrough: 1978-1991

Rajinikanth in the film Aarilirunthu Arubathu Varai (1979)
Around this time
Mullum Malarum (1978), directed by J. Mahendran, established Rajinikanth in the Tamil film arena as a film hero. The success of Bhuvana Oru Kelvikkuri prompted Muthuraman to make a mushy melodrama with Rajinikanth as a hero sacrificing everything for his siblings in Aarilirunthu Arubathu Varai (1979). These films were the turning points in Rajinikanth’s career; he changed from an actor who merely enthralled the audiences to one who could also evoke emotions. The acceptance of Rajinikanth sans his stylized mannerisms proved he had at last become a "star" from a "common actor." His film roles were mainly as a villain during the period 1975 to 1977, co-starring frequently with Kamal Haasan as the protagonist, in movies like 16 Vayadhinilae, Moondru Mudichu and Avargal. In 1978, Rajinikanth acted in the film Bairavi, in which he was credited as "superstar."[14][15]
During this phase of his career, when he was reaching dazzling heights, Rajinikanth abruptly chose to quit acting, but was coaxed back.
[16] He continued acting with the blockbuster Tamil film Billa, which was a remake of the blockbuster bollywood movie Don. With its phenomenal success he was accepted as a full-fledged hero. Billa was followed by a row of hits, namely Murattu Kaalai, Pokkiri Raja, Thanikattu Raja, Naan Mahaan Alla, Pudukavithai, and Moondru Mugam. K. Balachander’s first home production, Netrikan proved to be yet another milestone in Rajni’s career. He acted in his first cameo role alongside Meena Durairaj, who was a child actor then, in the movie Anbulla Rajinikanth (1984).
More box-office hits dominated the 80's with
Padikkathavan, Thee, Velaikaran, Dharmathin Thalaivan, Mr. Bharath, and Maaveeran all of which are remakes of Amitabh Bachchan movies.[17][18] In his 100th movie, Sri Raghavendra, he played the Hindu saint Raghavendra Swami.
Peak years: 1992-1999
The majority of his movies released during the nineties were extremely successful, notably Thalapathy, Mannan, Annamalai, Uzhaippali, Veera, Badsha, Muthu,[19] Arunachalam and Padayappa. Rajinikanth wrote his first screenplay and made a special appearance in the film Valli (1993), which failed to make an impact at the box office. His cult classic Badsha, released in 1995, went on to become a massive blockbuster and is routinely touted by his fans and critics alike as the movie which elevated him from being just another very popular actor with loads of charisma to an almost demigod status in the eyes of the masses. His film Muthu was the first Tamil film to be dubbed into Japanese as Muthu: The Dancing Maharajah and became very popular in Japan.[20][21] Throughout this decade, Rajinikanth established himself as a box office phenomenon. It can be argued that it was also during this time that Rajinikanth started to converge with politics; whether that confluence was voluntary or not is debatable, but as his films began to take on a whole new dimension in terms of expectations, hype and revenue, his political clout also steadily rose. This trend began with the release of Annamalai in 1992 and arguably climaxed during the time of Padayappa's release in 1999. His 150th film, Padayappa, directed by K. S. Ravikumar, was the largest blockbuster in his career before 2000.
Sabbaticals and political affairs: 2000-2003
The new millennium began very well for Rajinikanth; Padayappa had rewritten previous box office records. Finally, after more than a three year sabbatical from cinema, at 52 years of age, he starred in his home production, Baba, which released on August 15, 2002 amid much fanfare and hype. The film did poorly at the box office due to a very weak screenplay, which Rajinikanth himself had written, in his second stint at screenplay-writing after Valli. The thin screenplay revolved around the story about a gangster who later engages in spirituality; when compared to his previous film, Padayappa, it was a colossal disappointment. Although the film grossed enough to cover its budget, it was viewed as a tremendous loss when compared to his previous box office successes throughout his career. It fell short of market expectations and the high bids reportedly translated to heavy losses for the distributors. Rajinikanth himself repaid the losses incurred by the distributors.[22][23] Rajinikanth thereafter reported that he planned to quit acting to take part in social and political activities.
Return to success: 2005-2007

Rajinikanth, right, in Sivaji (2007).
After the
Baba debacle, Rajinikanth mulled over numerous scripts with many directors, including K. S. Ravikumar, and finally chose to act in director P. Vasu's Tamil remake of Manichithrathazhu, Chandramukhi. Many people within the industry had written Rajinikanth off after the Baba fiasco, essentially saying "the bloom was off the rose" and that "the gold does not glitter anymore".[24] In essence, many viewed Chandramukhi as Rajinikanth's comeback film, his make or break movie and in the end, when it was released on April 14, 2005, it went on to create new box office records and smashed his own previous records and once and for all removed any doubt within the industry with regards to Rajinikanth's box office clout and incomparable appeal to the masses. Chandramukhi broke the record of being the longest running Tamil film, as of 2007.[25] Just after Chandramukhi's release, it was reported that AVM Productions were to produce a film directed by S. Shankar starring Rajinikanth, the largest collaboration yet for a Tamil film. The film was titled Sivaji and released on June 15, 2007 after two years of filming and meticulous production. With massive international anticipation, it subsequently went on to become a major blockbuster, being ranked among other major Bollywood and Hollywood releases of the year. Sivaji became the first Tamil movie to be charted as one of the top-ten best films of United Kingdom and South Africa box-offices upon releaseRajinikanth received a salary of 26 crores, approximately US$5.3 million at the time, for his role the film, which made him become the second highest paid actor in all of Asia
Kuselan and controversies: 2008
Following Sivaji, Rajinikanth worked with P. Vasu again for Kuselan, a remake of the Malayalam film Kadha Parayumbol, in which Rajinikanth played a cameo role as himself, a star in the Indian film industry, and as a best friend to the main character. According to Rajinikanth, the film somewhat narrarates his early life. The film however performed poorly at box offices; some distributors incurred major losses due to the film, which Rajinikanth voluntarily settled with his own budget.[28][29]
Recent work: 2009-present
During the course of the production for Sivaji, Ocher Studios, the animation company of Rajinikanth's daughter Soundarya Rajinikanth, in association with Adlabs announced their intention of producing a CGI animation film starring an animated version of Rajinikanth.
In 2010, Rajinikanth appeared in
Endhiran, a science fiction film directed by S. Shankar. Endhiran is reported to be the costliest Indian film ever made, with a budget of 162 crores (US $36 million).[30] The film released on October 1, 2010, and is said to have grossed 205 crores on its opening day alone.[31] It received generally positive reviews; on the review-aggregation website ReviewGang, the film scored 7.5 out of 10 based on 5 reviews.[32]
Rajinikanth will soon be lending his voice to the lead character in the animation film
Sultan the Warrior, which is being directed by his daughter Soundarya Rajinikanth.
A. R. Murugadoss had previously shown interest in directing Rajinikanth in his next feature film after Ghajini.[33] Rajinikanth has stated that he is interested in starring in Pyramid Saimira's next production, in order to compensate for Kuselan.[34] Rajinikanth announced that he will no longer be acting in "youth roles" after Endhiran and will begin to act in roles which will be closer to his real age.
Popularity
Rajinikanth is consistently touted as the most popular South Indian film actor of his time.in films, as well as his political statements and philanthropy. In 2007, Asiaweek magazine named Rajinikanth as one of the most influential persons in South Asia.[ It is also suggested by the media that some popular actors who worked with Rajinikanth earlier in their careers, such as Gouthami Tadimalla and Nayanthara, were recognized because of their association with Rajinikanth, giving other aspiring actors the urge to work with him.[ Some fellow actors, such as Cho Ramaswamy, have commentated that Rajinikanth has the potential to be successful in Indian politics due to his popularity and fan base alone.[38]
After the release of
Muthu (1995), Rajinikanth became the only Indian actor to earn a Japanese fan base, opening a new market for Tamil films in the nation. Other films of Rajinikanth also released in Japan and garnered immense success, notably Baba (2002), Chandramukhi (2005), and Sivaji (2007).[39] During a visit to Japan in 2006, Indian Prime Minister Manmohan Singh acknowledged the success of Muthu in the country during a speech, justifying the positive relationship between the two nations.[40][41] Chandramukhi is notable for being the longest-running Tamil film in India, playing for a total of over 800 days. Sivaji was instrumental in making one of the largest releases for an Indian film in the world; the film entered the list of top ten films of the United Kingdom upon release. Chandramukhi and Sivaji were also released in South Africa, where they eventually became high box-office grossers.[42]
A survey conducted in 2008 by
Loyola College in Chennai suggested that Rajinikanth's popularity was decreasing in Tamil Nadu. The survey saw late actors M. G. Ramachandran and Sivaji Ganesan, as well as Joseph Vijay, topping the list with Rajinikanth closely following them, though he was still ahead of other actor-turned-politicians, such as Vijayakanth. However, the low result was attributed to Kuselan, which released at the time of the survey with an unsuccessful outcome at box offices.[43]
Awards and honours
Rajinikanth received his first Filmfare Award for Best Tamil Actor in 1984 for Nallavanuku Nallavan. He later received Filmfare Award nominations for his performances in Muthu (1995) and Sivaji (2007).[44] Rajinikanth also received Tamil Nadu State Film Awards in the Best Actor category for his roles in Moondru Mugam (1982), Muthu (1995), Padayappa (1999), Chandramukhi (2005), and Sivaji (2007). He also received awards from Cinema Express and Filmfans Association for his on-screen performances and off-screen contributions in writing and producing.[45]
Rajinikanth received the
Kalaimamani award in 1985 and the M. G. R. Award in 1989, both from the Government of Tamil Nadu. In 1995, the South Indian Film Artistes' Association presented him with the Kalaichelvam Award. He was named and honoured with the Padma Bhushan award, India's third highest civilian honour, in 2000 from the Government of India.[46] He was selected as the Indian Entertainer of the Year for 2007 by NDTV, competing against the likes of Shahrukh Khan.[47] The Government of Maharashtra honoured him with the Raj Kapoor Award the same year. He received the Chevalier Sivaji Ganesan Award for Excellence in Indian Cinema at the 2010 ceremony of the Vijay Awards

Endhiran the best indian film ever

Like everyday, Chennai got up early on 01.10.10. But instead of heading to the Mylapore Kabaleeswara temple, it went to Kasi `temple' much before 5 am. Where Lord Shivaji Rao Gaekwad, also known as Rajinikanth, has been consecrated as the presiding deity. This is the `speed 1 tera Hz memory 1 zetta byte' modern-day avatar of the Super God, providing darshan to millions of those who love him, on 2000 screens worldwide. Carpet bombing now has three new names. Endhiran in Tamil, Robo in Telugu and `Robot' in Hindi. Like all of director Shankar's films, the scale and canvas of Endhiran is huge. Or calling it HUGE would be more apt. Rajini has worked overtime in Endhiran. He is the not just the hero of the film. As Chitti, the robot, Rajini also plays the comic part. And as Chitti, the reincarnated robot, he is also the villain of the film. The bad guy has hundreds of sidekicks, who are also Rajini. For fans who can never get enough of their Superhero, he is all over the screen, literally. Paisa vasool for diehard fans of the superstar. Those familiar with the dynamics of the Tamil film industry would say Rajini has out-Kamaled his closest screen rival Kamal Haasan, whose ten roles in Dasavatharam were a landmark. Ironically, for a film that is India's most futuristic till date, Shankar has turned the clock back by 35 years on the superstar. Rajini who started his career as the bad guy in the mid 70s, plays the antagonist to good effect. And just like in the past, he makes the bad guy look more interesting and stylish than the hero, who seems quite a wimp. Shankar loves gizmos and in Endhiran, he has been pampered excessively by Sun Pictures' Kalanithi Maran, for who sky (even without Spicejet !) is quite literally the limit. The quality of special effects used in the film, are the kind never seen before in Indian cinema and certainly raise the bar. The hard work put in by the crew, both actors and technicians, is visible in every frame. It is flawless, seamless and perfect. ``In this world, only two people are perfect,'' says Chitti the villain to Sana (Aishwarya Rai). "Me and you''. Both aren't. Chitti, corrupted by crook-scientist Bohra (Danny Dengzonpa), has to be eliminated and Aishwarya doesn't think twice before cheating in a medical exam, a la Munnabhai MBBS. It is Shankar who is attempting to be perfect. A film, where everything, from sets, animation, action to costumes, make-up and cinematography, aims to be perfect. The focus, like in all of Shankar's films, is on the opulence. The director, it would seem, wanted to prove that it can't get bigger than this for a Rajini movie. The real biggie of course is the 160 crore rupees budget, that makes Endhiran the costliest film made in India. And therein lies the problem. Shankar has sacrificed substance for form. The comedy fails to tickle beyond a few feeble laughs (the Amman scene is hilarious though), despite having an actor like Rajini, whose sense of comic timing is legendary. Having decided to invest in awesome special effects, he goes overboard with it. Like the scene with the mosquitoes, literally sucks. So much so that in the second half, you just want it to end now. The cacophony, mindless destruction of cars, ruthless killing, the Rajinis in the shape of a huge snake that cannot be vanquished, all in the name of a sci-fi movie fail to sustain interest. Excite it does initially, but then it becomes like a loud video game that refuses to pause. If the Tamil audience at Prasads multiplex in Hyderabad, where I watched the film, greeted every move and gesture of Rajini with claps and whistling in the first half, the second half evoked a robotic reaction. In the hugely mounted climax, we would have liked to see Rajini the actor emote. Instead, he is just another cog in the techno wheel, consumed by Shankar's desire to be India's Steven Spielberg. Chitti in the end, admits he is Aishwarya's toyfriend, not boyfriend. The problem with `Enthiran' is that it too is like a toy that has been overwound. But despite all its flaws,Endhiran is a very watchable film. Even if just for those five seconds of the typical Rajini walk in slow motion in the Kaadhal Anukkal number. It is amazing how a 60-year-old gets more of an ovation than the former Miss World. And the hard work Rajini has put into the film shows. He looks very good and carries the film entirely on his shoulders. I only wish his look in the lavishly shot `Kilimanjaro' song didn't remind one of how he looked in Baba. Since Baba was a black sheep in Rajini's magnificent CV. Do watch it for the special effects and for the scale of Shankar's vision. And of course Thalaivar. And Aishwarya looks gorgeous. All the others characters in the film are irrelevant, there only to fill up the empty space. But may I also suggest you carry cotton for the ears. You are quite likely to need it in the second half. P.S. Thalaivar, now that `Enthiran' is behind you, you owe films like Thalapathi and Badsha to your fans. Rajini, the actor, Vazhga !Read more at: http://movies.ndtv.com/movie_story.aspx?Section=Movies&ID=ENTEN20100155102&subcatg=MOVIESINDIA&keyword=regional&nid=56446&cp